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Charles Wellington Furse (13 January 1868 – 16 October 1904) was an English painter. He was born at Staines, the son of the Rev. C. W. Furse, archdeacon of Westminster, and rector of St John's, Smith Square and descended collaterally from Sir Joshua Reynolds; and in his short span of life demonstrated such skill as a portrait and figure painter that he forms an important link in the chain of British portraiture which extends from the time when Van Dyck was called to the court of Charles I into the 20th century. His talent was precocious; at the age of seven he gave indications of it in a number of drawings illustrating the novels of Sir Walter Scott. He attended public school at Haileybury College. He entered the Slade School in 1884, winning the Slade scholarship in the following year, and completed his education at Julian's ''atelier'' in Paris. Hard worker as he was, his activity was frequently interrupted by spells of illness, for he had developed signs of consumption whilst still attending the Slade School. An important canvas called ''Cain'' was his first contribution (1888) to the Royal Academy, to the associateship of which he was elected in the year of his death. For some years before he had been a staunch supporter of the New English Art Club, to the exhibitions of which he was a regular contributor. In October 1900 he married Katharine Symonds, the daughter of John Addington Symonds. She later became known as Dame Katharine Furse. The couple had two sons. Peter Reynolds Furse (born in 1901) and John Paul Wellington Furse (born 13 October 1904).〔(【引用サイトリンク】Philip & James ) section: Row 3, Grave B28 ">url=http://www.stsepulchres.org.uk/burials/symonds_janet.html )〕 His fondness for sport and of an open-air life found expression in his art and introduced a new, fresh and vigorous note into portraiture. There is never a suggestion of the studio or of the fatiguing pose in his portraits. The sitters appear unconscious of being painted, and are generally seen in the pursuit of their favourite outdoor sport or pastime, in the full enjoyment of life. Such are the ''Diana of the Uplands'', the ''Lord Roberts'' and ''The Return from the Ride'' at the Tate Gallery; the four children in the ''Cubbing with the York and Ainsty'', ''The Lilac Gown'', ''Mr. and Mrs. Oliver Fishing'' and the portraits of ''Lord Charles Beresford'' and William Johnson Cory. Nearly all the work completed in the few years of Furse's activity show a pronounced decorative tendency. His sense of space, composition and decorative design can best be judged by his mural decorations for Liverpool Town Hall, executed between 1899 and 1902. A memorial exhibition of Furse's paintings and sketches was held at the Burlington Fine Arts Club in 1906. File:Jean Miller Hamilton (nee Muir), by Charles Wellington Furse.jpg|Jean Miller Hamilton (née Muir). File:Arthur lyttelton.jpg|Portrait of Arthur Lyttelton File:Sir Francis Galton by Charles Wellington Furse.jpg|Sir Francis Galton by Charles Wellington Furse, given to the National Portrait Gallery, London in 1954 File:Henry Jackson by Charles Wellington Furse.jpg|Henry Jackson, by Charles Wellington Furse (died 1904), given to the National Portrait Gallery, London in 1975. File:Charles William de la Poer Beresford, Baron Beresford by Charles Wellington Furse.jpg|Charles William de la Poer Beresford, Baron Beresford ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Charles Wellington Furse」の詳細全文を読む スポンサード リンク
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